Die Mommie Die!

Monday I went to a staged reading of Charles Busch's Die Mommie Die! at the historic Hudson Theatre. This was a benefit for The Actors' Fund of America, the 124-year-old human services organization dedicated to helping all those in the performing arts and entertainment world.

Though mostly known from its 2003 movie incarnation (which I haven't seen), Die Mommie Die! was originally a play that had a short run in Los Angeles in 1999. This was its first appearance in New York.

There is over-the-top, and then there's over-the-over-the-top. That's what this play is. As Busch (who was the writer and star of both the play and the film) described it, Die Mommie Die! is a cross between Greek tragedy and Hollywood kitsch. Over-acting is suggested, if not required. Add to that the fact the this was a reading--there were laughs generated just by the handling of the scripts, which the actors frequently relied on. There were mispronunciations, mis-readings, and bad word emphases aplenty, and the audience understood and laughed--no one expected a polished performance here.

The biggest star on the stage was Christopher Meloni, best known for his eight years on Law & Order: Special Victims Unit, as well as his role as Chris Keller in HBO's prison series, Oz. He seemed the most under-rehearsed. Also in the cast was Jayne Houdyshell, who was nominated for a Tony in the recently closed Well. She did a fine job as the maid, but mostly she reminded me of Conchata Ferrell. Jenn Harris did a great job as the daughter.

I was a bit surprised by Busch's performance, however. Too often he dropped his voice (both in volume and pitch) for this line or that. But it wasn't for any particular type of line. It seemed to be totally random. Of course, I really don't know if this is typical of him--I've somehow managed never to have seen him act before. I did see the one play he wrote that made it to Broadway, The Tale of the Allergist's Wife, but he wasn't in it.

On the other hand, his costumes were gorgeous. Of course, who I'd really like to look like was Harris, in her 60's mini-dresses.

It was really a lot of fun. Afterwards I went down to Lips for a little dinner. I had a nice conversation with a couple of crossdressers, one of whom was from Texas making her first public appearance presenting as a woman. The other was someone from New Jersey who was showing her around. And I can again confirm that Bianca Leigh, the Lips Monday bartender/DJ/singer, is still alive.